Professional Film Audio Restoration

Film soundtrack repair and preservation for commercial Blu-ray, digital release and archive projects.

Since 2019, Matt Jarman has restored the audio of classic feature films for commercial release, working primarily for Arrow Video on recognised films and collections.

Every project begins with a free assessment of the available source material, the condition of the soundtrack and the result that may realistically be achieved.

Film Restoration for Commercial and Archive Projects

Bad Princess Productions works with clients responsible for valuable film and television material, including distributors, rights holders, labels, archives, production companies and collectors preparing historic work for release.

Film distributors

Soundtrack restoration for Blu-ray, digital and collector releases.

Archives and rights holders

Careful treatment of historic material where authenticity must be protected.

Production companies

Repair and preparation of film audio for remastering or picture integration.

Collectors and private owners

Assessment of rare or irreplaceable soundtrack material.

Soundtrack Problems That May Be Treated

The treatment depends on the source, the severity of the damage and whether the affected sound can be separated from legitimate dialogue, music, effects or atmosphere.

Selective Treatment, Not Blanket Processing

Film soundtracks contain dialogue, music, Foley, effects, room tone and historical production artefacts. A defect may sit directly beside a sound that must be preserved.

Matt reviews the soundtrack scene by scene, second by second and, where required, frame by frame. Processing is applied only where needed rather than automatically across the complete film.

The objective is not to make an older soundtrack sound artificially modern. It is to reduce distracting defects while protecting the original tone, texture and character of the production.

  1. Free assessment

    Review of the available source material and restoration requirements.

  2. Technical preparation

    Evaluation of format, synchronisation and preparation for detailed work.

  3. Scene by scene restoration

    Targeted treatment of individual defects.

  4. Manual quality control

    Listening passes to confirm that repairs have not introduced new artefacts.

  5. Final delivery

    Restored audio supplied in the agreed format for mastering or picture integration.

Commercial Film Restoration Experience

Matt Jarman has restored soundtracks for classic feature films prepared for commercial Blu-ray and digital release.

Working primarily for Arrow Video, credits include The Good, the Bad and the Ugly, The Bruce Lee at Golden Harvest Collection, Conan the Barbarian, Barbarella and other recognised titles.

Every soundtrack is treated individually to preserve the character and authenticity of the original production.

Hear the Difference

Original Source

Source audio waveform before restoration

The untreated source before restoration.

Overprocessed Result

Waveform showing an overprocessed restoration

Excessive processing may reduce noise while also damaging useful detail and natural texture.

Final Restoration

Waveform showing the final controlled restoration

A controlled result that reduces damage while preserving the original character.

What to Send for a Free Assessment

Send a representative sample of the source material together with the key project details. A private file sharing link is suitable for larger files.

Assessment checklist

  • Project type
  • Approximate running time
  • Available source format
  • Main audio problems
  • Required delivery format
  • Preferred deadline
  • Private download link, where available

You will receive an initial evaluation, an outline of what may realistically be achieved and a no obligation quotation before restoration work begins.

Film Audio Restoration FAQs

Request a Free Film Audio Assessment

Send a representative sample and details of the project. Matt will review the material and explain what may realistically be achieved before providing a no obligation quotation.

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